I don’t watch a lot of TV. Or, more accurately, I don’t watch a lot of TV that I choose to watch. The TV is on often enough—Danger Boy, Pedro and a cadre of other 17-year old boys use the big screen in the family room to play Madden ‘11 and Pro-Evolution Soccer whenever they aren’t at water polo practice (which, admittedly, isn’t that often these days). When the guys head to the pool, Social Butterfly grabs the remote and hits either MTV or Disney Channel (what can I say? the girl has eclectic tastes).
Of course both the previous scenarios presuppose that a) there is not a Padre game on and b) Mr. Fix-it is not home. If there’s a Padre game on then all or a portion of the trio Grown-up Girl, Mr. Fix-it and/or Pedro will be following the game closely. If Mr. Fix-it is home both he and I insist that, as the main breadwinner (hence, not home all day), general hard-worker and purchaser of said big screen, he be given first dibs.
When do I get the TV? When all of the above people are gone. MVP doesn’t really factor in because he decided last year that “TV is a waste of time.” He reads. (I know—I can totally handle a little college-student elitism if it results in more reading).
Last week I found myself in control of the remote with a decent span of time to control it on the horizon. I turned to Netflix Instant Queue and choose an indie film, sherrybaby, starring one of my favorite actresses, Maggie Gyllenhaal.
Nobody inhabits an uncomfortable role with more comfort than Maggie. It matters not how odd or deviant the character, she brings total believability to the role. She did not disappoint as Sherry.
The result of her fine acting, and the subject matter, is that I felt sick to my stomach through the entire movie.
I was supposed to have some sympathy for this damaged young woman who had made, and continued to make, a mess out of her life. The film pulled no punches in revealing the why that preceded her descent into addiction which led to her imprisonment and her separation from her daughter. I did not. I could not.
All the sympathy the film evoked was focused on her daughter, and the aunt and uncle that took care of her while her mother, best intentions consistently abandoned, screwed up again and again.
The cavalier way that Sherry disregards and minimizes her brother and his wife, and their roles as de-facto parents for her daughter, and her own daughter’s very personhood hit just too close too home for me.
I am old enough to know that life cannot be this cut and dried, but, for me, when a child enters the picture your life becomes about him or her and my sympathies will always be with the child.
This movie, an excellent and true depiction of the generational damage that is so hard, often impossible, to overcome, left me feeling sad and empty. Both about the characters and about myself. I consider myself an empathetic person, but my life experience has left me with a block as to where I can extend that empathy—and this movie highlighted that for me.



